Actors
“Talking to Fiora is the sound of doors in the world opening.
By helping people with their singing, which I believe is one of the most vulnerable things we can do as people, she opens them up to new parts of themselves and the world and life.
I really consider her one of the greatest people and teachers I have ever met (but those kind of go hand in hand don’t they.) ”
— Claire Scavone“Working with Fiora opened up a whole can of joy in using my voice I never expected. She gives you tools, and permission to fall in love with singing.”
— Uma Thurman“Fiora is an amazing teacher and an amazing person - she brings such light, joy and love to everything she does and everywhere she is.
Endless enthusiasm, expertise and support in every sense. It has been one of the great joys and treasures to know her. ”
- George Mackay
“I met Fiora when I started my preparation for the role of Marilyn Monroe, the most challenging role of my career so far. I can tell you that I wouldn’t have been able to do what I did in this film if it wasn’t for Fiora ́s help and guidance.
Fiora is someone who’s beyond prepared to do what she does, she’s a true artist and a professional. She’s the person any actor would want on set, by their side. It is a gift to have her. She will make the actor better and the movie better. She makes the crew better because she’s one of the kindest people I have ever met in my life. She’s so dedicated and passionate about the job, she’s so knowledgeable, she’s so reliable, that I can say with certainty, any production would be lucky to have her. It doesn’t get better than that. Fiora is your person..”
— Ana de Armas
Directors
“Fiora is Fusic's Fiancée…
Fiora is Finspiration, Fenerosity
Fiora was a Fodsent gift on Fannette
Fiora is Fucking Fessential"
— Leos Carax“Fiora recreated the Marilyn songs for Blonde. When we played them back on set the crew thought they were the original recordings. She also set a text by Nick (Cave) to melody and turned it into a song that matched the era of the movie. Amazing work.”
— Andrew Dominik“It’s not really that Fiora teaches singing - she does - but it’s more like, she does something, and suddenly people can sing.
Fiora brings out the best in all of us.”
— Julia Hart“Fiora makes the filmmaking process that much better. Talent, Dedication, Belief, Execution, Professionalism, Joy.”
— Reinaldo Marcus Green
“I worked with Fiora in 2019 on Leos Carax movie « Annette » since then she’s been in my life and I want her to be in it forever and ever.
I had to train to « become» an opera singer. We had only 2 months. She made every bit of the work, even when I was desperate, fun! Soooo much fun! And that’s exactly what you need when you have so little time to reach a result that is close to impossible.
She was so good at making me understand my body and voice instrument! Also! She endured my screaming the whole time…. With a smile and so much confidence in me! she is my freaking hero! ”
— Marion Cotillard“Fiora saved us on Annette.”
— Juliette Picollot“Fiora is the best! Attention to detail and overall results are second to none. She has an inspiring energy and I haven’t met anyone that didn’t love working with her!”
— John Warhurst academy award winning Executive Music Producer / Sound Supervisor“Versatile, accurate, quick-witted, and musically wise, Fiora is right at the top of my list of session singers for all styles as well as a valued general musical collaborator. Equally at home in high opera and deep house music, (and everything in between), and with a very thorough technical and cultural understanding, she's someone to whom all singers should be paying very close attention.”
— Marius de Vries